Filmmaking is an uniquely individual career. Some directors isolate themselves on set and communicate with the team just through their assistant director. Others might walk through the set each morning and shake the hands of crewmembers while asking about their personal lives. Some cinematographers work with the same camera crew for their entire career and others like to mix it up.



Finally, as soon as all of that is completed, dry off the film with the paper kitchen towels. It takes a few days for it to actually stick, so take care with it for the first week.



After wetting the window, pull the support off of the fixed cling window film. If you're movie is little in size, then you can entirely remove it from the backing. However, for large prints, it is recommended that you peel the top portion off and progressively remove it as you set up the window movie.

A chap called Daguerre made this process usable and gave the patent rights to the French federal government. This process, basically a metal photograph, did not last long and glass plates entered use as negatives, after image sensitive paper was developed. This started the negative-photo paper printing approach of photography around the mid 1800's. Today this process is all but obsolete.

Now, why would we do such a thing free of charge? Well, since we're sweethearts. Because we love you and desire you to be successful in this in some cases difficult and insane thing called The film Industry.

Roll movie? What is that, you say? Well that is what actually made picture making portable, fun and simple. Mr. Eastman made these little boxes that you put the spindle with the rolled up film in. Then you hook completion of the movie to another spool, close package and roll the film on the empty spindle as you took images.

No longer do you need to worry your Saturday afternoon with family being destroyed documentary package by ruined movie or a non-working projector. You have all of it on digital now!